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Beethoven Sonata in F Major Op. 24 "Spring Sonata" for Pianoforte and Violin

Beethoven Sonata in F Major Op. 24 "Spring Sonata" for Pianoforte and Violin
Beethoven Sonata in F Major Op. 24 "Spring Sonata" for Pianoforte and Violin
Beethoven Sonata in F Major Op. 24 "Spring Sonata" for Pianoforte and Violin
Beethoven Sonata in F Major Op. 24 "Spring Sonata" for Pianoforte and Violin
Beethoven Sonata in F Major Op. 24 "Spring Sonata" for Pianoforte and Violin
Beethoven Sonata in F Major Op. 24 "Spring Sonata" for Pianoforte and Violin
Beethoven Sonata in F Major Op. 24 "Spring Sonata" for Pianoforte and Violin

    貝多芬一生中共留有十首小提琴奏鳴曲,除第九號「克羅采」與第十號外,貝多芬的小提琴奏鳴曲大半都是早期,或早期邁向中期的過渡時期所創作,貝多芬受到莫札特的影響,以莫札特的傳統為基礎加以創新,使小提琴脫離伴奏角色,呈現不同樂曲風格。第五號小提琴奏鳴曲,作品24「春天奏鳴曲」小提琴獨奏+鋼琴伴奏譜。

  • 庫存狀況: 尚有庫存
  • 出版社: Bärenreiter
  • 作者: Ludwig van Beethoven
  • 編訂者: Clive Brown
  • 總書頁: 58
  • 商品編號: BA10937
  • ISBN: 9790006568505
NT 600
NT 600
未稅: NT 600

簡介

In May of 1802, the “Allgemeine musikalische Zeitung” praised the violin sonatas op. 23 and 24 as being “... among the best Beethoven has written, which is to say that they are among the best being written at all. The composer’s original, fiery and bold spirit … becomes more and more apparent now ...”

The time during which Beethoven composed his “Spring Sonata” was marked by a frantic surge of compositional creativity. “I live only in my notes, and with one work barely finished, the other is already started; the way I write now I often find myself working on three, four things at the same time.”, he wrote in a letter to Wegeler on 29 June 1801. However during this time, Beethoven also suffered from the rapid deterioration of his hearing, a fact he was still trying to hide and that the enchanting “Spring Sonata” which was to become increasingly popular in the course of the 19th century certainly does not divulge.

Clive Brown’s ground-breaking new edition combines a scholarly Urtext approach with the provision of a wealth of information on historical performing practice, all conveniently united in one practical edition. This edition consists of a score and two individual parts for the violin: an Urtext-part based on the scholarly-critical assessment of all sources, and an annotated part with additional information by Clive Brown based on important topics of historical techniques and practices.
In addition to a detailed preface this edition includes information on early editions of this sonata as well as historical metronome markings.

This edition is based on Clive Brown’s edition of Beethoven’s complete sonatas for violin and pianoforte with Bärenreiter (BA 9014, BA 9015, BA 9036), which was the first edition to be published with a Critical Commentary and the complete description of relevant sources.

The pivotal Performing Practice Commentary by Clive Brown and Neal Peres Da Costa is available online, supplementing information on performing practice for each Sonata and each movement in this volume. It discusses techniques of both violin and piano playing in Beethoven’s period, as well as historical contexts and advice on phrasing and technique based on the evaluation of historical editions (s.a. von Czerny, Ferdinand David, Alard, Diémer, Grützmacher, Reinecke, Brodsky, Joachim, Rosé, Halir, Kreisler etc.).

目錄

Song List:

  • Sonata for Pianoforte and Violin in F major op. 24 "Spring Sonata"

詳細規格

書籍資訊
記譜法五線譜(一般)
原文語言德文
特徵西洋古典
樂器小提琴
古典作曲家Beethoven L.V. 貝多芬
時期與風格古典時期
裝訂平裝
形式
外型尺寸大於A4 樂譜常用尺寸