德布西不但是音樂史上的印象主義創始人，在音樂方面，將印象派繪畫中所洋溢的豐富色彩和透明流動爍閃，直接移植於作品音響中。大提琴奏鳴曲，大提琴分譜+鋼琴伴奏譜。
Debussy’s “ Sonate pour violoncello et piano” was composed in the summer of 1915. It was the first of a planned set of six sonatas for various instrumental combinations of which Debussy only completed three. Imbued with that unmistakable Debussy charm this work has remained a standard in the repertoire since the premiere. It is without question the most performed cello sonata of the 20th century.
Regina Back’s Urtext edition for the first time makes use of Debussy’s sketches held in a private collection which contain not only an important comment by Debussy regarding the balance of the instruments but also clarify several musical ambiguities found in the autograph and first edition.
Bärenreiter’s new Urtext edition comes with a detailed preface (Ger/Eng/Fr) elaborating not only on the genesis of the composition and its first performances but also providing performance practice information. The edition is rounded off with a facsimile and a critical commentary.
- State-of-the-Art Bärenreiter quality Urtext
- Important new source
- Critical Commentary (Eng) and a Facsimile
- Detailed preface (Ger/Eng/Fr)
Claude Debussy Sonata for Violoncello and Piano
| 書籍資訊 | |
| 記譜法 | 五線譜(一般) |
| 原文語言 | 德文 |
| 特徵 | 西洋古典 |
| 適用對象 | 高級 |
| 樂器 | 大提琴 |
| 古典作曲家 | Debussy, C. 德布西 |
| 時期與風格 | 浪漫主義 |
| 裝訂 | 平裝 |
| 形式 | 譜 |
| 外型尺寸 | 大於A4 樂譜常用尺寸 |
