貝多芬為大提琴與鋼琴而寫的三首變奏曲，都是在1800年前後所創作，顯現出貝多芬由變奏曲轉變為奏鳴曲前創作軌跡與風格。韓德爾《猶大‧馬加比》〈看那英雄凱旋歸〉主題十二段變奏 WoO 45，莫札特《魔笛》〈一個女孩或妻子〉主題十二段變奏 作品66，莫札特《魔笛》〈對愛有感覺的男人〉主題七段變奏 WoO 46，分譜+鋼琴伴奏譜
Beethoven’s three sets of cello variations comprise the “Twelve Variations on a Theme from Händel’s Oratorio ‘Judas Maccabeus’” (WoO 45), the “Twelve Variations on the theme ‘Ein Mädchen oder Weibchen’” (op.66) from Mozart’s opera “Die Zauberflöte” and the “Seven Variations on the duet ‘Bei Männern, welche Liebe fühlen’” (WoO 46), also from “Die Zauberflöte”.
These works have existed in many different editions, some of which have from time to time been (tacitly) reprinted with corrections to keep up to date with the latest scholarship. This new Bärenreiter Urtext edition, however, is the first to give all Beethoven’s rhythms in the violoncello part correctly. Beethoven’s autograph manuscript of op.66 is lost; the critical commentary (English) includes a complete facsimile of the violoncello part from the only surviving source (the first edition), illustrating the various problems encountered in determining the best musical text.
| 書籍資訊 | |
| 記譜法 | 五線譜(一般) |
| 原文語言 | 德文 |
| 特徵 | 西洋古典 |
| 適用對象 | 高級 |
| 樂器 | 大提琴 |
| 古典作曲家 | Beethoven L.V. 貝多芬 |
| 時期與風格 | 古典時期 |
| 裝訂 | 平裝 |
| 形式 | 譜 |
| 外型尺寸 | 大於A4 樂譜常用尺寸 |
