布拉姆斯第三號鋼琴三重奏曲譜寫與1886年，在瑞士Thun停留的第一年，是布拉姆斯的幸福時期，也是他一生中最能維持精力持續創作活動的一年，作品呈現出雄偉的景色及熱情。
【簡介】
Christopher Hogwood’s scholarly-critical edition of Brahms’ final and perhaps greatest trio op. 101 is based on two main sources, the first edition and the autograph.
The foreword of this edition presents information on contemporary performance practice; Hogwood has drawn on the comments of Fanny Davis, a Brahms student, to shed light on this. She describes how Brahms played the trio with Joseph Joachim and Robert Hausmann at an informal reading (with Clara Schumann turning pages) in Baden-Baden in approx. 1895.
Davis’ descriptions have much to do with articulation, dynamics and tempo fluctuations; in short exactly those aspects of performance practice where we lack real direction.
• Includes important information on performance practice of the day (Ger/Eng)
•With a detailed critical commentary (Eng)
Brahms Trio for Violin , Violoncello and Piano Opus 101
| 書籍資訊 | |
| 記譜法 | 五線譜(一般) |
| 原文語言 | 德文 |
| 特徵 | 西洋古典 |
| 樂器 | 大提琴 |
| 古典作曲家 | Brahms, J.布拉姆斯 |
| 時期與風格 | 浪漫主義 |
| 裝訂 | 平裝 |
| 形式 | 譜 |
| 外型尺寸 | 大於A4 樂譜常用尺寸 |
